Petrang Kabayo (2010)

Peter Kasimsiman was once a submissive son to his parents. But losing his mother at a tender age, left him with an abusive father who only knew of tending to his carriage horse, Brown Beauty. Peter is eager to win the love and attention of his indifferent Tatay. But an unfortunate incident forces him to run away from home. His horrible life starts to change its course when he meets the nurturing haciendera Helena who provides him shelter and unconditional affection he knew his father would never be able to give. Helena teaches Peter love and kindness, grooming him as the sole heir to the hacienda in the event of her death. Albeit fueled with the guidance of the good-natured foster mother, who's known for her passionate concern for her employees, Peter has an intolerable bad temper especially towards her mother's loyal servant, Maita and the latter's beautiful and gifted daughter, Samantha. Peter's almost perfect life is threatened as people from the hacienda adore the beauty and goodwill of Samantha. These include the estate's striking horse trainer, Erickson, the good-looking veterinarian, Dickson and even the trusted estate horse, Sylvester. Add the unwanted presence of his long-lost sister, Peter's life seemed like an everyday living hell. Little did Peter know that Diobayo, the Goddess of Horses, watches every move he makes as he grows oblivious to other people and the surrounding horses' needs. To teach Peter a painful lesson, Diobayo cursed him transforming him into the horse, Petra, whenever he acts surly and proud. Will Peter choose to continue his grumpy personality? Or will he be able to use his 'horse instinct' to change for the better?

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Feng Shui (2004)

Whoever said that imitation is the sincerest form of flattery must have been very wise indeed. The movie Feng Shui is a very good example of an imitation that does not leave you disgusted and is actually a welcome change as far as Philippine cinema is concerned. To their credit, some Filipino filmmakers have already started creating quality movies long before this scream-or-whimper-in-fright flick. But Feng Shui does stand out for the sheer fact that it is something new and different in this part of Asia. A new "attack", so to speak.

The movie starts with Joy (Kris Aquino) finding a bagua (however you spell it). According to the ancient feng shui practice of the Chinese, this traditional mirrored piece brings good luck to the owner and wards off evil. As she has no way of finding out where the owner is, she decides to keep it and hangs it at home.

To her surprise, good luck starts to pour in. Quite overwhelming for a young mother in the middle of trying to start a new life with her family. So of course, she welcomes the wonderful changes. However, the opposite seems to happen around her. Bad luck comes to people she knows and loves. It is only a matter of time that Joy realizes that not all good things come for free.

We have to thank the Japanese for coming up with Ringu, or The Ring (the original and Japanese version, not the Hollywood version). Its phenomenal success in the country paved the way for more Asian horror flicks to pervade Philipine shores. I did not at all foresee it, but the country finally came up with its on ghost story to tell in Asian-fashion.

Part of the success of Feng Shui was the curiosity factor. Judging by the trailer alone, one was quick to guess it was done in the tradition of The Ring, The Grudge, etcetera (formulaic, if you ask me). Enough to make one curious how good or bad it would fare. The other parts, however, were due to how the move was done. Though it wasn't quite so scary for someone like me who somehow has the knack of anticipating shock moments most of the time, the movie sure scared the crap out of most movie-goers. It shocked, surprised, and gave people the chills using minimal special effects, make-up, and all of those technical and visual stuff.

Story-wise, it was engaging and rather original, as far as Filipino films were concerned. I must say, though, that it tried a bit too hard. The birth years idea (if you've seen this, you'll understand) was too "forced" and unimportant, really. Stop it already, I wanted to scream. When they showed the gun-wielding,bulldog-tattooed husband (Noni Buencamino), that was the height of corny-ness. I mean, c'mon, stop trying to be too Chinese! It just wasn't working.

Good acting from the cast, that's a big plus. Until the movie Mano Po came along, Aquino's acting was the butt of jokes because, well, did you see her act before? I mean, did you? This time around, after the success of the said movie that earned for her an award, she proved that she can now act. I wouldn't go as far as to predict another award for her, certainly not. That is, unless other movies pale in comparison, maybe.

Great acting from Jay Manalo, Ilonah Jean, and most especially Lotlot De Leon. Had De Leon not returned into the limelight, we would not have known she could act almost just as good as her mom, Nora Aunor. While the story did not really scare me, her panic scenes really did it for me. I kept muttering, "Stop it! Please, stop all that screaming, he'll kill you!!!" Sorry for the spoiler, folks, but it was obvious, anyway. For me, at least. It was like knowing what was going to happen and all you could do was sit and watch somebody get killed in front of you.

All in all, I liked Feng Shui. If not for the corny idea aforementioned, I could have given it five stars. But such major plot flaws should not go unnoticed. But hey, if it's any consolation, this still comes down as a quality and highly recommended Filipino flick in my book.

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A Very Special Love (2008)

Every local film pitched with a romantic theme will never escape this harsh pre-judgment; it is a copycat, 'baduy' or trashy. As the saying goes, "Don't judge a book by its cover." But in reality, not all of us are critics, who have a lot of time in their hands to check out this "chick flick" to reassure the relevance of this adage.

A Very Special Love is a romantic comedy film produced by Star Cinema, directed by Cathy Garcia-Molina and written by Raz dela Torre. The story is about a moody Editor-in-chief Miggy Montenegro who is in the verge of losing his staff as well as his men's magazine, Bachelor. Laida, a naïve young girl, applies as an Editorial Assistant hoping to be close with the man she dreams of every night. The plot is fairly identifiable to the movie The Devil Wears Prada wherein a recent college graduate gets a job as an assistant to a powerful magazine editor. But this time, it is a love story. Although originality in the story is not a strong quality nevertheless the basic necessities of a Romantic Comedy were all addressed.

Geronimo's performance in particular was quite a revelation. From her quirky antics, and humorous lines, to her on-screen charisma, the audience can't stop laughing and crying and giggling and laughing again, a metaphoric state just like the theme, Love. On the other note, Cruz's character was made complex and was wisely portrayed. He plays a not-so-likable character you will despise at first sight. But as the film thoroughly progress, you will sympathize with him and be captivated with his charisma. I don't want to elaborate any further as to how his character was layered as this might reveal the twists.

The probably advantage in having Star Cinema produce a film is the technical quality will not be compromised. Although I have qualms in certain dialogue scenes that were dubbed and its live recording needs to be improved. Too much musical scoring is what I loath in most mainstream local films. Moderation might ultimately be the cure.

Romantic comedy films are movies with light-hearted, humorous plot lines, centered on romantic ideals such as true love being able to surmount most obstacles. This is what this film offers. It is simple in definition, but hard to attain. It is a rare treat to watch a film in this genre and be able to say in the end, it was pleasing… and funny indeed.

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